“afloat”

atop the gentle ripples
of today’s calm Black Sea
on the edge of that picturesque town
of my insatiable yearning

my face kisses the burnt-orange sun
a push-over wave pats me on my shoulders
(our new neighbor must be on the go
with his sailboat again)

i shoo away my childhood fear of jelly fish
in their territory am i now after all
the largest ones i ever saw
live
right here i believe
always bloating over
the small skinny hands of the same little boys
(or so i still trick myself to think)
beach-combing free-spirits
tossing those pulsating bells back and forth
their version of
volleyball
they are overly active now
it looks like the entire medusa population
gathered around the lads
i’m safe i’m safe yes i am . . .

no
oh no
it
can’t be . . .

don’t you whirl around my feet

what are you doing under my lilo

eek
double eek
triple eek

. . .

moooom!

mooooooooom!

© hülya  n. yılmaz, 6.18.2016

~ ~ ~ ~ ~ ~
While my decision is not yet firm, I may submit this poem as one of my three contributions to  The Year of the Poet, a monthly anthology of international dynamics, published by Inner Child Press, Ltd.   

the-girl-at-jellyfish-lake-by13277[1]

 

 

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. . .

gene çocuklar aciz
gene çocuklar yetişkin acılar içinde
oysa ki çocuklar hep gülmeli
gülebilmeli

onları biz istemedik mi . . .

Turkish original by hülya n. yılmaz (2.27.2016)

nature--sad-tree-munir-alawi[1]

children are helpless again
children in adult-size suffering again

children however must smile always
must be able to smile

aren’t we after all who wanted them .  . .

English translation by hülya n. yılmaz (6.13.2016)

 

 

 

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. . . long overdue . . .

With a smiling heart, I greet you right by the entry door to my home, see you in, guide you to my only comfortable eating corner where several distinctly Turkish baked goods await us. Once you are seated, I steep tea or make coffee – through the ritualistic steps they are prepared in Turkey, and just must accompany any pleasure-food served to welcome guests into the hearth of lengthy delightful conversations . . .

You, dear readers and dear followers, are my special guests to this virtual get-together today, as I attempt to express my long overdue thanks to you for your loyal interest in my writings. The fact that you let me know of your presence here by opting for a “Like” or by leaving a comment is a gift from you that I don’t take for granted. And, this time around, I would like to draw in the help of a maxim by William Arthur Ward in order to better articulate my appreciation of you for your visits to my blog site:

gratitude-gift3

May the rest of your Sunday and your new week bring you only the pleasant kinds of life experiences. ~

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. . .

Eternalist Notions.6.7.2016

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June 8, 2016 · 7:00 am

Annulling the Old Self

. . . overlooked the rating
my fatal mistake

too old indeed for this cliché

alas
mental age
a mere PG-13 as yet

apologies galore
self-acceptance
an unknown tongue

a pre-natal giver
compensation for the self
a baneful embryo
beyond the reach of life and death

on the edge of the salty drops for evermore

. . .

no more!

no longer willing to carry
emotional baggage for two
that of the old and the new
rendezvoused thus
the first with its end 

. . .

sleeping naked tonight
stripped off of the fabric of my favorite clinging

or the so-called events of the past

the big wall clock across my bed
lightened now as it is disassembled
my cleansed head resting on the big hand
the small hand covering me ever so tenderly

come to me tonight oh sweet embrace
you desperately awaited
 rate of G

. . .

ah!

© hülya  n. yılmaz, 4.21.2016

~ ~ ~
This poem came to me as an inspiration after a wonder-filled opportunity I had a while back to view – among many others – one stunning painting by the remarkable artist of international acclaim, Helene Ruiz. My heartfelt thanks to you, dear Helene. You will know to which one of your memorable painted art pieces I am referring.

 

 

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. . .

Eternalist Notions 6.1.2016

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June 1, 2016 · 7:00 am

Did you . . .

i saw you the other day
perhaps it was a dream

either way . . .

you appeared before me

and i

cried

again

There is a sacredness in tears.
They are not the mark of weakness, but of power.
They speak more eloquently than ten thousand tongues.
They are the messengers of overwhelming grief,
Of deep contrition,
A
nd of unspeakable love.

since you happen to be here . . .

i want you to imagine a woman
vulnerable at a declining age
married once for long
familiar thus with intercourse
yet still a virgin
when you had entered her essence

for
she
let
only
you
make love
to her soul
to the core

should you ever doubt it
send your reason to her address . . .
living proofs do not lie

you had made her believe all along
you too were a virgin with her alone

that is how untouched she was

her once ascending spirit
in a downward-spiral now
races to self-destruction
this late in her remaining time

you have after all never taught her
how she could thicken her skin like yours
before you abandoned her fragility
abruptly harshly ungently
to its debilitating agony

did you recognize her . . .

does she visit your nightmares . . .

i saw you the other day
perhaps it was a dream

either way . . .

you appeared before me

and i

cried

again

© hülya n. yılmaz, 5.27.2016

~ ~ ~ ~ ~ ~ ~ ~ ~
The italicized text originates from Washington Irving.

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. . .

1-AYNI PANORAMIK MANZARA MI.166877_490639709710_4252019_n-003
Photo Credit: Dr. Mahmut Oğuz  Ergün (1931-2015)
Date: Summer 2005
Location: Ada, Sinop – Turkey

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Bir dreisprachiger poem-draft

böyle sevilmez

i loved

o mu

could not have

seven mahvetmez

thema durch war ich für ihn am ende

but also a few undefined times before

in klaren verhåltnissen zu leben

arzusuna geçti uzun senelerinkinin yerine

gene hiç uyarmadan sakince birdenbire

aber du unverbesserlicher ignorant

keep refusing against your will still

dich aus deiner herzenstiefe zu befreien

bu kadar da aşka muhtaç olur mu bir can

~ ~ ~ ~ ~

© hülya n. yılmaz, 4.12.2016

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. . .

1-AYNI PANORAMIK MANZARA MI.166877_490639709710_4252019_n-001
Photo Credit: Dr. Mahmut Oğuz  Ergün (1931-2015)
Date: Summer 2005
Location: Ada, Sinop – Turkey

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