On Turkish Roads to the Legitimation of Child Rape: Remembering Nazım as a Form of Escapism

Turkey: Thousands protest against proposed child sex law

The news was impossible to disregard. Regarded it, I have. Writing my reaction to it in nonfiction, however, was far too disturbing of a thought for me – an older woman, born into and raised in a modernized Turkey before leaving for the now similarly tainted United States in pursuit of an advanced academic career decades ago. So: I have resorted to poetry…yet once again.

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My poem below first appeared here on October 19, 2014 in Turkish – the language in which I had initially conceived it, translating it to English shortly after. The photograph above of Nazım Hikmet, known as Nazım Hikmet Ran as well (1902-1963) had donned this page also back then. I am re-posting the poem in question with minor changes in their original articulations. This world-renowned exilic poet of Turkey had in persistence written – among numerous other humanity-related wrongdoings – on the objectionable status of Turkish women in their country of birth at large. I recognized Nazım’s deep-rooted concern inside me all over again in the face of the latest uproar in Istanbul, and so I reached for the prophetic conclusions he had drawn in his poem, “Kadınlarımız” (the italicized sections represent my direct quotes from Nazım).

Nazım Hikmet’i hatırlıyorum…

nasıl da iyi tanımış yurdun acı gerçeklerini
kadınımızdan biteviye esirgenenleri
ister olsun tek bir başına ister kocasının yanında
olsun varsın bir bebesi, o verici böğrünün öz yuvasında

ince, küçük çeneleri, kocaman gözleriyle
anamız, avradımız, yarimiz kadınlar
ama anaya yakışan saygıyı
analıklarında bile göremeyen analar
soframızdaki yeri öküzümüzden sonra gelen

doğurmasa, erkeğinin asla göze alamayacağı bir fedakarlıkla
hayatın yegane masumiyet hazinesini ona hediyeleyen
herkes ana oluyorları kendine defalarca yediren
gene de yüzlerinden tebessüm nadiren eksilen
aynı yorgun alışkanlık çemberine
mahkum edilen kadınımız

Nazım Hikmet’i hatırlıyorum…

nasıl da iyi tanımış senle beni,
onu şunu bunu
bizi sizi onları

bilmiş çok öncesinden bugünü geçmişi ve de geleceği
‘avradını, yarini’ analıklarında bile hiçe saymaya
ant içmiş erkeklerimizin tek toplar damarlı aile sofrasına
katmış cömert bir asaletle bu dahi destanına…

I am thinking of Nazım Hikmet…

How transparent our country of birth was to him
How deprived of life our women are
Whether single or decorating their husbands
With their babies cradled inside their selfless breasts

Our women with their fine, small chins and huge eyes;
Women that are our mothers, wives, lovers
But the kind of mothers
Who are robbed of motherly respect
Even in their motherhood

Our women who are forsaken
During meals for the sake of our oxen
Women who gift their men
Life’s ultimate treasure
A breath of innocence or more
If it weren’t for them
Whose men would never dare to undergo
The same great sacrifices of the self

Women who must tolerate
Their men’s oft-shouted ridicule:
Everyone can be a mother.
You are nothing special.

Women who nevertheless
Try not to neglect a smile from the face
Who are chained to the deadening same old tired rut

I am thinking of Nazım Hikmet…

How well he knew you me her us them
The present the past the future
Of his never-forgotten home
Of its single-veined patronizers

He knew it so well
That with his chivalric saga
He welded our women’s one-legged stools
Atop the food table of their men who seem to have sworn
To belittle their wives, their lovers even in their maternity divine…

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. . .

 

for-11-16-2016

[Photo Courtesy: My daughter; Sinop, Turkey]

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Alas! Malnourished, the Muse of Poetry fled me while I overindulged in negativity . . .

. . . into which November 9, 2016 – The Day After – keeps feeding still.

 

Related Readings:

The Incredible Reason You Might Start Seeing Safety Pins Everywhere

Dear White People, Your Safety Pins Are Embarrassing

 

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. . .

for-11-9-2016

 

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“i want my Poetry to . . .” Volume III, Another Inner Child Press Publication Underway

With my thanks to Inner Child Press, Ltd. for creating through its “Anthologies” another poetic platform under the guidance and leadership of  Gail Weston Shazor, I share with you  the poem of my contribution to Volume III of i want my Poetry to . . . (kindly note the short video-recording by Gail Weston Shazor following the end of my name down below).

i want my poetry to…

burn tears in your hearts
then bring them to the surface
before you decide you’d better cave in
to the pain and suffering etched ever so resiliently
in your past, present and future memories
when it’s time to have that wail explode
letting out that desperately patient standby “enough!”

i want my poetry to ease you then
into the arms of a selfless child-bearer
whose lullaby will tuck you in safely
under a snuggle-obsessed blanket-sleep
after having raised you from a darkest deep
together with the gentlest touch of other souls
which learned to utter only the tongue of love
their aura will entice you into a burial ground of ashes
where to lay to rest your ire and your innermost fears
to shed all your chains to be free of also the tears
which have been fiercely carved on earth
on its every hidden nook and cranny
since the birth of humanity

. . . be a break from life . . .

i want my poetry to weld with steel
the vital holes on your pails so frail
for you to be on your steadfast way
to flood in the universe with no delay
its tamest of waters on nature’s path
will gather for you to help you cleanse
your self-unforgiving self foremost
but won’t let you once forget all else
which you may have cursed in wrath
they will amass for you serene drops of bliss
to bathe under each the bitter ghosts of your ills
chafing away your immense boulder’s mass
for a modest few little whiles at last

. . . be a break from life . . .

i want my poetry to hold your hand
every time you must weather a storm
so that you know i too have been stained
the craftiest kind left me barren with all its might
hail rushed and wedded bloodcurdling thunders
lightening was only watching from afar at first
but then it exalted their union in a raucous roar
even snow flurries of my most loyal delight
showered the procession in a sliest twist

. . . be a break from life . . .

i want my poetry to waft you in the end
inside a cloud that is mate to the mild zephyr
to undiscovered lands as well to the Seven Seas
to the faraway councils of breath-taking skies
to the communes on the many luminous moons
to the cometic homes of ancient curiosities
in pursuit of the suns of the Egyptians
of the Hindu the Chinese the Japanese
of the Greek the Aztec the African
of the Navajo the Inca the Inuit
of the Sumerian the Roman

even though i don’t sing of elation alone . . .

© hülya n. yılmaz, 11.2.2016 (The inspiration came to me in installments: First, about a month ago; then two weeks later, and finally, last weekend.)

 

 

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. . .

nazim-hikmet-sozleri-kis-gelmek-uzere-oysa-ki-gonul-kisa-girmeye-hazir-degil-nazim-hikmet

[Image and Text Credit]

Winter is about to pull in
but the heart is unready for its arrival as yet.

~ Own translation (10.21.2016)

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A Haiku in Memory of Aylan Kurdi (2012/2013-2015)

curses to that sea
idyllic but merciless
why not lullabies instead

© hülya n. yılmaz, 10.27.2016

The title of my post today cites the name of only one child fed to the insatiable greed for power donned day after day by too large a number of supposed leaders of nations. The tragedy is that no list template is available to commemorate all the little darling delegates of innocence with their pre-death mark on earth; nor will such reminder be ever invented. 

“Aylan Kurdi’s story: How a small Syrian child came to be washed up on a beach in Turkey”

remembering-aylan-kurdi

[Image Credit: Free Online]

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. . .

for-10-26-2016

[Photo Credit: Self ~ Sinop, Turkey]

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. . . with my thanks to all who don’t play down the dark side of life

we all have so many scars
that we have grown roots
now rotting fast
in that favorite place of many a gathering
your kitchen my kitchen those dearest friends’ kitchen

grandma’s kitchen mama’s kitchen dad’s i too can cook-kitchen
each cupboard smelling like their pain med
poorly prescribed for their end
witches’ brew in a cauldron before us
even the back burner’s simmer-dial
scorches the ancestral ladle right off of our hand
the same hand we thought could control our fingers
which in turn would glow to show us whether to stir clockwise
or counter-clockwise
with rigor or not
how many times
for how long
when
why

our embarrassingly short short-term-memory
convinces us to believe fairy-tales all over again
that maybe just maybe
a tiny batch of soul food
would drizzle out of such gooey gunk
enchanting us in to our prenatal sheath
thus gifting us with a little breather
in order that we can tend our scabs
tend to the gashes in our hearts

instead

the immortal spell-thrower

engulfs us

with a flood of burning ashes
spooned right out of the pot of our own churning

and
our bruises
while still in their nth round of incrustation
turn blood red once more
because our systemic veins are wide-open yet once more 

© hülya n. yılmaz, 10.0.2016 

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. . .

for-10-19-2016

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October 19, 2016 · 7:00 am