Monthly Archives: March 2014

existential crisis or incomparable bliss?

POSTED.image for ölümü düşünüyorum

 

 

 

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You would all believe me, if I told you he is far more beautiful than this picture does him justice, wouldn’t you? Yes! This image is of my grandson’s. His unintended pose here is utmost precious to me because the shoulder on which he has fallen asleep like an angel of my childhood fantasies happens to be mine. I remember having frozen my daughter right on the spot with my smile of who knows how many thousands of volt. My shoulder has been in this position many times before – in fact, my photo here is an older one when my tiny love had just made it to his two months (he is three-and-a half months old in his photo here). With my lucky charm’s shapely head, chubby cheeks, button nose, mother’s mouth and heavenly breath for me to inhale and never let go from inside me. And, those tiny hands with their father’s fingers – just recently freed from their sharp-nail-repellent baby mittens (his grooming kit is very difficult for his mom to near him with…)! Closing and opening at his dreams’ will to let me know I am there with him. In flesh and blood.

Then, I get to go home. Alone. Days go by fast with demanding work.  The nights should follow suit. For, a teacher’s duties multiply outside the classroom to occupy all evenings, weekends and holidays. I end up doing some more work. But, I get distracted (affordably so, of course) and have the urge to write. About many issues of and angles on our existences. The night when my poem below came to me was exceptionally intense in some personal longing and recollection of a recent loss (to life). I had already started mourning over my self without having exited my lifespan yet…On account of “things” not having been possible for me to materialize, nor to hope for, feeling out of time, and other similar harsh realizations. Being made foremost of emotions, my typing took me to an experience of angst. Not for myself, though, but rather only for the afterward. The ultimate innocence, a fully submissive display of trust, the purest and most unconditional love and eyeful of whole body excitement my grand baby was giving me as a priceless gift began to overwhelm me. It was, as if I had just realized what had happened: I, indeed, was the grandmother of a miracle baby boy. Moreover, with him becoming acutely aware of and visibly happy about the wordless interaction between us. Melancholy hit me. The outcome was the following short verse in my native tongue…(an English translation of it is right beneath the original):

 

ölümü düşünüyorum

eskimiş kalıbıma konup duran inanılmaz bir güzellik nefesinde

yol yorgunu soldakine en karşılıksız masum sevgi gözlerinde

hani cennetten derler ya, işte öylesine kökten gülüşlerinde

korkum sadece benden sonra göreceklerine

 

i am thinking of death

an indescribable beauty in his breath touching on and off my worn out frame

the most unconditional purest love in his eyes for the trek-weary one on my left

you know how they say: of heaven? such original depth in his smiles

my sole fear

what will he be dealt with

after me

~ ~ ~ ~ ~ ~ ~ ~ ~

I wish you all thoughts on and plans for life alone and look forward to your visit next Sunday!

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I have exciting news to share with you!

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Good Sunday, dear readers!

A while ago, I had mentioned to you a project by Inner Child Press, ltd. – an extensive publication of poetry to be distributed to the member nations of the United Nations and the voting members of the United States Congress. It is an extraordinary honor for me to be one of the contributors to this two-volume book. In addition to my poem (please see below) being among over ninety poets’ lyrical creations, a preface I have been privileged to compose will appear on the first pages of this voluminous peace messenger. The publishing date is set as April 1st, 2014. With the public release of this project being right around the corner, I wanted to share this news with you first. Should you obtain a copy of World Healing World Peace Poetry, I hope it will make a memorable reading for you all.

Wishing you a wonderful Sunday, I leave you with my usual excitement for your next visit.

even time and space united

twelfth century Central Anatolia – cradle of civilizations

birthed Rumi, a poet of spirituality

amid teeming wars over religion and arms

he pled all colors of skin, worshippers of any shape or belief

called upon unity on behalf of humanity

 

he was neither the first nor the last to implore

the seed of homosapiens is the same at its core

 

the twenty-first century might – Mandela’s South African light

caressed him – Tolstoy, Picasso not far behind

 

nineteenth century Persia

labored Baha’u’llah

to wed world religions

 

Siddhartha Gautama donned India

in sixth century before Christ

with values of peace

liberating his devotees

from earthly agonies

 

doves led King to a North American glide

that twentieth century’s potent ripples still in tranquil ebb and tide

 

guarding the tortured, those imprisoned, lynched

nurturing them all, Socrates kept vigil – though in poison of hatred

 

before Christ through Confucius the Golden Rule revived

alas! an ancient old wisdom had survived:

 

“Men’s natures are alike, it is their habits that carry them far apart.”

 

habits to arm, to discriminate

to abolish love, to nourish only those who hate

fossilized as heirlooms, resisted each age, firm not to abate

 

yet

even time and space prevailed to unite

for they had love’s healing command on their side

at warp speed, the peaceful have become and multiplied

 

Gandhi

Dalai Lama, the 14th

Gorbachev

Walesa

Suu Kyi

Williams

Corrigan

Laroupe

Ali

Malala

Hanh

Chinmoy

Vivekananda

Wilberforce

Tutu

Jefferson

Wilson

Annan

Carter

Mother Teresa

they

we

he

she

you

i…

 

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Helva, Halva, Halwa, …

Even after several decades passed since I last smelled it coming from my mom’s kitchen, the aroma of its slightly burned delight feels on the roof of my mouth.  “Just because,” she answered, when I first noticed she was making it outside the expected occasion: death.  The fortieth day of a death close to the family’s heart would warranty it, after which it would be repeated on the anniversary of that passing.  “In remembrance of the loss of our beloved among us, to have the strong whiff reach their souls,” my mother would utter on those occurrences – in a very soft voice, almost inaudible.  But that day, it was “just because.”

I absolutely loved then and love now the taste of un helvası (Turkish spelling), the Flour Halva/Helwa but also was engrossed in its unmistakable aromatic tour throughout our three-bedroom flat.  As I am writing now, my mother’s quick hand gestures stay glued to my mind’s eyes; how she would shape this very slowly fried butter, flour, sugar and milk mixture – something that doesn’t look like much at first – into edible rows of a finger dessert (I made up this term based on the English “finger food”), each topped either with a home-roasted raw almond or a large pine nut.  Her helva-making rituals became a more frequent act after that time.  Only after she died was I able to conclude how making that sweet dish had become her own way to feel connected to our beloved dead.  Through the first connector we experience right after our birth: partaking in the festivities of the palate.

~ ~ ~ ~ ~ ~ ~ ~ ~

May your Sunday and new week be filled with delectable life experiences, and may you come back to share some of them right here, over an imagined cup of Turkish coffee and a helva of your choice to celebrate a joyous event.

~ ~ ~ ~ ~ ~ ~ ~ ~

Related Links:

Ceremonial Significance

Definition in Encyclopedia Britannica

Definition in Wikipedia

Description of the Different Helva Types

History and more

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“on a pedestal, no more – a poem trilogy”

Dear Readers:

Today, I am sharing with you my poem trilogy that was published in The Year of the Poet, a book by Inner Child Press where I was a featured poet this month – carrying such honor together with a fellow author.  In their imagery, these poems deviate significantly from the majority of my previous lyrical compositions.  I hope you will find their invitations to uncover my intended audience at least somewhat of enigmatic quality.

May the rest of your Sunday and new week a delightful one! As always, I look forward to your next visit.

NB_French-Pedestal-LST

the impotent puppeteer

 

not an inner beauty nor on the outside

unlike the tender roots where it sprouted

“a bad seed,” voiced only the wise

 

oh Medusa, how hath thou cloned thyself?

when hath thou destroyed

where hath thou buried

other Gorgons of Ceto

of Phorcys?

 

why, the choice to rejoice each dawning day

in the unsuspecting for their ills?

oh, how they added to thy antediluvian thrills!

 

he was no Perseus

naive

trusting

spell-stricken

blind

 

oh Medusa, how thou…

with one of thy latest winding tresses

chanted from the chest of a confidante’s conniving hisses

secreted his sole devotee the ultimate scarlet sentence

slithering in and out of her…

suffocated their blood from its essence

 

he was no Perseus

naive

trusting

spell-stricken

blind

 

a head, nevertheless, dons Athena’s shield today

a Gorgoneion,?  Not in the least.  Oh, nay!

 

Perseus, thy beloved mother knew its lethal envy for long

as hath thy father, the half-outcast, who did not belong

 

thy sister does at last

 

 

the well-meaning chauvinist

 

Hippolyte Cogniard and his brother The`odore

may be tempted to produce anew

their La cocarde tricolore

in 1839, after all, already

its roots penetrated the First French army

although Nicholas Chauvin – an apocryphal fighter

did probably spend not much time to ponder

what was to become of his exaggerated affection

for it to surpass time, space to infect grave degeneration

an innocent male of today owes him the concept’s doomed derivation:

 

a woman is obliged to appear pretty

full facial paint, short skirts, high heels are a must

men-attracting smiles should be frequent and a plenty

hair to be of buoyant design, unrehearsed – as on an odalisque bust

 

her beauty came from nature

its enticing aura lacked pretense

feminine from head to toe – with legs or without

she smiled – at her will and for herself

burst alluring laughters – when she desired

 

marriage also found her

inside a circle of cages

a mere twenty-four year-old…

 

the distorted-Chauvin-coveting one spoke:

what is it you expect?

where is your alternative?

who would accept you in his life?

 

years later, in rapid aging, he found love

dissolved swiftly his first marital union

wedded a woman less than half his age

 

on the other side of the globe

fences wore away

day by day

the twenty-four year old…

 

 

the learned ignorant

 

in a family of futile males

he reaped one day their parched tree’s single crop

none would dare to conceive the challenge to stop

his edification cured the lost honor of their patriarch

 

heading clans of men from many domineering generations

he bestowed upon the wives identical dispensations

for they birthed equally wasted boy-children

of fetal eminence

 

ages passed

indistinctive women attained nobility

as have the sons, their wives, the in-lawed ovaries

their descendants are donned with unrivaled extravagance

 

the sole daughter has been erased away

along with her nonmale offspring

 

a pre-natal larnyx had not been contracted to their matriarch…

 

 

 

 

 

 

 

 

 

 

 

 

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“İstanbul İstanbul Olalı” (“Since İstanbul has been İstanbul”)

I am not one of those lucky people who were born in İstanbul, as some would say.  Some lifetime devotees from my country of birth, that is.  This global city has been in the hearts of countless, to which a large number of Turkish and non-Turkish songs, literary compositions and cinematic productions would attest. “Gegen die Wand” (“Head-On”)  and “Auf der anderen Seite” (“The Edge of Heaven”)  by Fatih Akın, the Turkish-German director come to mind for their impressive award-records.  “Gegen die Wand” demands a larger highlight as the 2004 designated Goldener Bår (The Golden Bear) award: the German equivalent of The Oscar – many in the United States seem to await in eagerness to be watching tonight.  (No worries, please, I am not at all going to go there…)

İstanbul functions as the cultural connector in both films – justifiably so, for it is the only world city that is situated on two continents (hence, the term Eurasian as one of its referents).  While I may not be as lucky as those born there, my connection to this complexly picturesque metropolitan scenery runs rather deep: the members of multiple generations of my family have been buried there.  But, that’s a completely different topic, and I shall not dwell on it, either.  İnstead, I will give us a mere flavor of the longing for İstanbul Sezen Aksu – one of Turkey’s most celebrated song artists articulates and sings.  Her yearning is one directed at a love lost, embedded in visual imagery on the city’s many marked old traits.  Hence, the song mourns but simultaneously celebrates a past that is engraved in the soul of the city but also of all who have loved.

My translation of the lyrics follows the original Turkish.

Söz ve Müzik: Sezen Aksu

Uzanıp Kanlıcanın orta yerinde bi taşa

Gözümün yaşını yüzdürdüm Hisara doğru

Yapacak hiçbir şey yok gitmek istedi gitti

Hem anlıyorum hem çok acı tek taraflı bitti

 

Bi lodos lazım şimdi bana, bi kürek, bi kayık

Zulada birkaç şişe yakut yer gök kırmızı

Söverim gelmişine geçmişine ayıpsa ayıp

Düşer üstüme akşamdan kalma sabah yıldızı

 

Ah İstanbul İstanbul olalı

Hiç görmedi böyle keder

Geberiyorum aşkından

Kalmadı bende gururdan eser

 

İstanbul İstanbul olalı

Hiç görmedi böyle keder

Geberiyorum aşkından

Kalmadı bende gururdan eser

 

Ne acı ne acı insan kendine ne kadar yenik

Bulunmadı ihanetin ilacı yürek koca bir karadelik

Yapacak hiçbir şey yok gönül bu sevdi

Yeni bir ten yeni bir heyecan bilirim üstelik

 

Bi lodos lazım şimdi bana, bi kürek, bi kayık

Zulada birkaç şişe yakut yer gök kırmızı

Söverim gelmişine geçmişine ayıpsa ayıp

Düşer üstüme akşamdan kalma sabah yıldızı

 

Ah İstanbul İstanbul olalı

Hiç görmedi böyle keder

Geberiyorum aşkından

Kalmadı bende gururdan eser

 

İstanbul İstanbul olalı

Hiç görmedi böyle keder

Geberiyorum aşkından

Kalmadı bende gururdan eser

~ ~ ~ ~ ~ ~ ~ ~ ~

Laying myself on a rock in the midst of Kanlıca

I had my tear swim toward Hisar

There is nothing to do about it: he wanted to go; he did

I understand but it is also very sad; for it was only a one-sided end

 

I need a southwester now, an oar and a boat

A few bottles in the stash, the land is ruby; red, the sky

Let it be a disgrace! I don’t care! I will curse it all!

Delayed from the evening, a morning star descends upon me

(Refrain)

 

Oh! Since İstanbul has been İstanbul

It never saw such grief

I am dying of his love

Nothing is left from my pride

(Refrain)

 

How sad! How sad! How the self defeats itself

There is no cure for betrayal; the heart is a colossal black hole

There is nothing to do about it: such is the heart, it loved

A new skin a new thrill – besides, I should know

~ ~ ~ ~ ~ ~ ~ ~ ~

May your Sunday and next week be filled with joyous times!  I look forward to your next visit.

 

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